This Samsung ad, directed by James Rouse with The Viral Factory, enlists
an enthusiastic group of herders known as the Baaa-Studs to make the magic happen over the hills of walls. Some amazing sights are to behold as man, machine and beasts combine to re-create the Mona Lisa, the video game Pong and an electronic fireworks display worthy of any Fourth of July.
I finally watched this video enough to become jaded. Now, I’m thinking, if they could do this with ducks, …
Credit Due Department: I found Samsung’s Sheep and Shepherd Show at Ads of the World
A decent video1 of the entire White Girls Dancing, Synchronized Cartwheel Modification, an obligatory floor exercise in contemporary Leonard Cohen concerts, has finally surfaced.
The History Of Dancing In The Future
Ongoing readers may recall from a previous post, According To Leonard Cohen, The Future Has White Folks Dancing, which outlined the progression of this phenomenon, Cohen has been illustrating the first instance of “white man dancing” in the lyrics of “The Future” with increasingly elaborate steps.
There’ll be the breaking of the ancient
western code
Your private life will suddenly explode
There’ll be phantoms
There’ll be fires on the road
and the white man dancing
You’ll see a woman
hanging upside down
her features covered by her fallen gown
and all the lousy little poets
coming round
tryin’ to sound like Charlie Manson
and the white man dancin’ [emphasis mine]
~From “The Future” by Leonard Cohen
By July 2008, the second “white man dancin’” had transformed into “white girls dancin’,” which was synchronized with the Webb Sisters joining hands for a rather prim dance turn. It wasn’t long, however, until things started to slide, slide in all directions.
Specifically, the Webb Sisters moved it up a level, shedding their jackets to perform cartwheels on the “white girls dancin’” cue.
Despite the seeming superfluity of YouTube uploads from the concerts, however, the Webbs had not been videotaped in full cartwheel mode – until now.
The Leonard Cohen Oakland Concert Video
Because of the dedication and exemplary skills of YouTube contributer, Bgood11, this cinematic milestone has been reached.
The setting is the Paramount Theater in Oakland, California. Leonard Cohen is midway through his performance of “The Future.” The camera is focused on Cohen while he sings, “There’ll be phantoms / There’ll be fires on the road,” and moves into his “White man dancing” choreography.
As Cohen sings “You’ll see a woman / hanging upside down,” the camera pans out, capturing the full stage contingent: Leonard Cohen, the band, and the three backup singers.
On “her features covered by her fallen gown,” the Webb Sisters remove their jackets.
And, just as Cohen growls, “Yeah, the white girls dancin’,” Charlie and Hattie2 turn, execute simultaneous cartwheels to enthusiastic applause from a seemingly surprised (apparently non-Heck Of A Guy reading) audience, and return to their places alongside Sharon Robinson.
Leonard Cohen – The Future (Oakland Paramount 4/13/09)
Now, if someone could get a closeup of those cartwheels, …
Credit Due Department: The image atop this post is from The Art of Stage Dancing: The Story of a Beautiful and Profitable Profession by Ned Wayburn (1925)
Update: This photo of the Webb Sisters in cartwheel mode, taken by gussifer | thecolorawesome.com, is also from an Oakland Concert, albeit on a different date :
Leonard Cohen Oakland Paramount Concert (April 14, 2009)
Click on image for better viewing.
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The criteria for a “decent video,” in this case, include the following: the picture is reasonably clear, the camera is steady, the shot frames the pertinent performers, and the sound is good.↩
Yes, I’m on a first name basis with the Webb Sisters. Well, I know their first names – and they know their first names; they just don’t know who I am.↩
The video should automatically begin just before the desired sequence. Unfortunately, I do not have a practical means by which to automatically stop the video before the end. The viewer can, of course, simply turn off the player at any point. To see some or all of the video that takes place before the automatic start, drag the indicator (the circular button on the bottom bar) to the left.↩
Outrageously Happy, Outrageously In Love With Julie
... I never had a chance. I was – and this is the only word that fits – smitten. She was overwhelmingly intelligent and quick-witted, although it took three more years for me to recognize that she was, in fact, much smarter than me, and then another two years to forgive her for that. And, she was surpassingly good-looking, with an unmistakable aura of sexiness.
The unlikely story of how Julie and I fell in love and - 2 husbands, 1 wife, and 2 careers later - spent an outrageously wonderful 20 years together is unlike anything else you will find in this blog, and perhaps anywhere else.
Note: This link is to a post on AlignMap.com, my treatment adherence site, but an appreciation of Professor Brindley's presentation requires no medical expertise.
Do I Have To Dance All Night Film Festival
"Do I Have To Dance All Night" was performed many times in concerts but was never released in the US.
As part of my crusade to popularize this song, I've cobbled together 2 videos - one for the semi-funky 1976 version with Laura Brannigan and one for the 1980 more gypsy, less disco version - that kinda sorta fit the music.
Joni Mitchell and Leonard Cohen had a fling in the 1960s that, for unspecified reasons, was short-lived, with Cohen instigating the parting.
It was then and is now a complex connection. In 1988, Cohen said, “I’m still very friendly with Joni - I had dinner with her before the tour, and I have the same admiration for her as you do. But I think it was Noel Harrison who came up to me in the LA Troubadour and said ‘How d’you like living with Beethoven?’”