Heck Of A Guy

A pastiche of posts, featuring song, dance, snappy chatter plus notes on prose, poesy, love, lust, life, and beyond

Heck Of A Guy random header image

Leonard Cohen – A Thousand Kisses Deep In The Heart Of Texas

April 6th, 2009 · Leonard Cohen

cowboyhat3

I’m Your Man and A Thousand Kisses Deep
- Videos From The Dallas Concert

We interrupt this post for this Special Request To Camera-equipped Cohen Concert-goers: A video of the new song, “Lullaby,” would be a wonderful thing. Perhaps less wonderful but nonetheless high on my wish list is a photo of Leonard Cohen wearing that cowboy hat. Please contact me if either are or become available. Thanks. We now return to our blog in progress.

I’m Your Man

The video of “I’m Your Man” from the Leonard Cohen Nokia Theatre Concert (Grand Prairie/Dallas) is absent the first and last fractions of the song but does benefit from good focus, a steady hand (or competent electronic stabilization), and decent quality sound.

“I’m Your Man” and “A Thousand Kisses Deep” are also the best of the few videos of any sort I can find from the Abilene and Dallas concerts. My guess is that the theaters hosting these shows discouraged would-be documentarians although I suppose that it’s possible that Texans are less enamored of home-grown videos than, say, New Zealanders or Dubliners.

I did choose “I’m Your Man” over “Suzanne,”1 which was submitted by the same YouTube contributor,  primarily because, to my jaded eye, the more animated performances, such as “I’m Your Man” and “Tower of Song,” show to better advantage as videos than do those numbers, such as “Suzanne” and “The Partisan,” which concentrate almost exclusively on lyrics, inflections, and melody.

The best received moment of “I’m Your Man,” comes at about the  1:10 mark when Roscoe Beck, playing the bass guitar, echoes Cohen’s  elongated, plaintive “Please.”

There is also a brief solo by Dino Soldo, perhaps better known to aficionados of Cohen’s band introductions as “The Master Of Wind,” a title that could launch a thousand puns. Some critics deride his contributions to Cohen’s performance as superfluous at best and often distracting. I admit to enjoying the semi-exotic effect of his instruments.2

dino

I also confess that the first time I saw his photo (that’s Dino on your right in the above photo), I thought he might have been hired as Leonard’s bodyguard.

Leonard Cohen – I’m Your Man (Dallas April 3, 2009)

A Thousand Kisses Deep
“A Thousand Kisses Deep” also starts a few seconds into the recitation, and its production values are not up to the standards of the “I’m Your Man” video, but – well, I really like this presentation of the poem and now prefer it to the song of the same title.

This post would hardly deserve placement in a blog called “Heck of a Guy” if I did not provide readers those missing lines from the video of “A Thousand Kisses Deep.” The first words Cohen speaks on the video are

You’d have to be a man to know
How good that feels, how sweet.

The two lines preceding those, if Cohen used the words of his poem from the Book Of Longing which he has in other venues on the World Tour,3 are

You came to me this morning
And you handled me like meat.

Leonard Cohen – A Thousand Kisses Deep (Dallas April 3, 2009)

_____________________
  1. ”Suzanne” fans can watch that video at Suzanne (Dallas-YouTube)
  2. Perhaps his music seems exotic to me because there were few occasions as a youth that I heard the Akai EWI4000 Electric Woodwind or the Axis-64 played in broadcasts of  the Grand Ole Opry.
  3. In the Book of Longing version, the line is not “You’d have to be a man to know” but instead reads, “You’d have to  live alone to know.”

→ 2 CommentsTags: ····

Reading Letters From A. E. Housman For Fun

April 5th, 2009 · Poetry

letter500

Letter from A.E. Housman to his stepmother, Lucy

Made giddy by the half-dozen positive emails I received about last week’s post, A. E. Housman’s “1887″ Laments The Deaths Of Those Who Actually Save The Queen, today I am pushing the envelope – and inside that envelope are letters from A. E. Housman. 1

Yes, I am proposing that A. E. Housman’s correspondence is a rewarding use of the viewer’s time and effort.

There, I said it, and I’m not taking it back.

The Significant Housman Letters That Other Reviews Cover

While many of Housman’s collected letters deal with correcting errors in his manuscripts prior to printing, turning down honors (from honorary degrees to the OM to the poet laureateship), refusing  invitations to speak, granting or denying requests to reprint his work, some offer insight into his thinking on important issues.

When the meaning of a poem is obscure, it is due to one of three causes. Either the author through lack of skill has failed to express his meaning; or he has concealed it intentionally; or he has no meaning either to conceal or express. In none of these cases does he like to be asked about it. In the first case it makes him feel humiliated; in the second it makes him feel embarrassed; in the third it makes him feel found out. The real meaning of a poem is what it means to the reader.

Others are poignant.  To a dying Moses Jackson, the object of his unrequited love throughout his adult life, Housman sent this painfully jocular note with a copy of Last Poems by A. E. Housman, a volume that went to press at that time to assure publication before Jackson’s impending demise.

It is now 11 o’clock in the morning, and I hear that the Cambridge shops are sold out. Please to realise therefore, with fear and respect, that I am an eminent bloke; though I would much rather have followed you round the world and blacked your boots.

This summary concludes the Heck Of A Guy obligatory consideration of Housman’s letters of substance: there are quite a few significant letters by Housman, and reviews such as those in the London Review of Books and the Times Literary Supplement, cover them thoroughly.

The Housman Letters  That Are Fun To Read

I have pulled a few excerpts from Housman’s letters. These are obviously not random, but neither are they the result of an arduous search. I am certain that there are many better selections I will use when I publish my long-awaited “Wit and Wisdom of A. E. Housman.” Today, however, I offer these easy to find tidbits with minimal commentary for the reader’s enjoyment.

Most reviewers have little to say about Housman’s letters to his family and friends.  I, on the other hand, find this opening of a routine letter to his stepmother, Lucy, charming:

I was delighted to get your long letter on the 26th: it was quite the best epistle I have ever seen, with the possible exception of the second of the apostle Paul to the Corinthians. The violets were also very sweet: I don’t know whether St. Paul used to enclose violets.

And, I’m wild for his “occasional poems” he would sometimes include in his letters.  A note to his brother Laurence, for example, offers this ode to the overlooked but obvious:

… The sea is a subject by no means exhausted. I have somewhere a poem which directs attention to one of its most striking characteristics, which hardly any of the poems seem to have observed. They call it salt and blue and deep and dark and so on; but they never make such profoundly true reflexions as the following:

O billows bounding far,
How we, how wet ye are!

When first my gaze ye met
I said, ‘Those waves are wet’,

I said it, and am quite
Convinced that I was right.

Who saith that ye are dry?
I give that man the lie.

Thy wetness, O thou sea,
I wonderful to me.

It agitates my heart,
To think how wet thou art.

No object I have met
Is more profoundly wet.

Methinks, ’twere vain to try,
O sea, to wipe thee dry.

I therefore will refrain,
Farewell, thou humid main.

“Farewell, thou humid main.”  What a great line.  And, it was written by perhaps the greatest Latin scholar of modern times. C’mon – that’s funny stuff.

And what would a Heck Of A Guy post be without a Hallelujah reference?  Again writing to his step-mother, Housman notes,

I shall be interested to see the Devotional Poems.2 Perhaps I myself may write a Hymn-book for use in the Salvation Army:

There is Hallelujah Hannah
Walking backwards down the lane,
And I hear the loud Hosanna
Of regenerated Jane;
And Lieutenant Isabella
In the centre of them comes,
Dealing blows with her umbrella
On the trumpets and the drums

Or again:

“Hallelujah!” was the only observation
That escaped Lieutenant-Colonel Mary Jane,
When she tumbled off the platform in the station,
And was cut in little pieces by the train.
Mary Jane, the train is through yer:
Hallelujah, Hallelujah!
We will gather up the fragments that remain.

It seems to come quite easy.

And, commenting on news from home, Housman is moved to include his views on original sin and marriage.

… I see looking through your letters that Eva is to be married tomorrow; so give her my benediction.

Marriage, and the necessity of filling this sheet of paper, remind me of one of my occasional poems, …

When Adam woke day by day
Woke up in Paradise
He always used to say
‘Oh, this is very nice.’

But Eve from scenes of bliss
Transported him for life.
The more I think of this
The more I beat my wife.

In a similar vein, Housman writes,

Dear Mrs Thicknesse,
… My blood boils. This is not due to the recent commencement of summer, but to the Wrongs of Woman, with which I have been making myself acquainted.3 ‘She cannot serve on any Jury’; and yet she bravely lives on. ‘She cannot serve in the army or navy’ -oh cruel , cruel!- ‘except’ – this adds insult to injury – ‘as a nurse’. … I have been making marginal additions. ‘She cannot be ordained a Priest or Deacon’: add nor become a Freemason. ‘She cannot be a member of the Royal Society’: add nor of the Amateur Boxing Association. In short, your unhappy sex seems to have nothing to look forward to, except contracting a valid marriage as soon as they are 12 years old; and that must soon pall. …

He was hardly humble but did not encourage accolades.

To Witter Bynner4

My dear Sir,
You seem to admire my poems even more than I admire them myself, which is very noble of you, but will most likely be difficult to keep up for any great length of time.

… As to your inquiries: I wrote the book when I was thirty-five, and I expect to write another when I am seventy, by which time your enthusiasm will have had time to cool. My trade is that of professor of Latin in this college: I suppose that my classical training has been of some use to me in furnishing good models, and making me fastidious, and telling me what to leave out. …

Housman rarely demanded money for the rights to publish his work,5 but he did want would be publishers to ask first (and he was adamant about printing his poems exactly as he wrote them). He could be a tad brusque in dealing with those who abused this principle.

… The Duchess of Sutherland is under the impression that I not only gave her my consent to print some verses of mine in a novel of hers, but also wrote her a kind letter about it; neither of which things did I ever do. I have no doubt you [Grant Richards Housman's publisher] gave her my consent, as you have given it to other people; and I have no particular objection: but when it comes to writing kind letters to Duchesses I think it is time to protest.

Mr Thomas thanks me for “a poem”, and prints two: which is the one he doesn’t thank me for?

And sometimes, he just funny, as in this response to a correspondent asking in which set of rooms Byron resided during his stay at Trinity College:

I know a man who has occupied both sets [of possible rooms], and I have asked him which would be the most convenient for keeping a bear in; and he says the former.

_____________________

  1. Excerpts are from The Letters Of A. E. Housman, Volume One, 1872–1928, Volume Two, 1929–1936, Edited by Archie Burnett.  Oxford:Clarendon Press. 2007.
  2. Laurence Housman’s Spikenard, 1898
  3. Mrs Thicknesse had sent him a copy of her husband’s Suffragist pamphlet, The Rights and Wrongs of Women.
  4. American poet and playwright at this time poetry editor of McClure’s Magazine, in which he printed thirteen poems from A Shropshire Lad in the next five years.
  5. He also wrote that “Vanity, not avarice, is my ruling passion; and so long as young men write to me from America saying that they would rather part with their hair than with their copy of my book, I do not feel the need of food and drink.”

Comments OffTags: ·

OK, Make That Leonard Cohen, His Famous Blue Raincoat, And His Cowboy Hat In Dallas

April 4th, 2009 · Leonard Cohen

cohenstagedallas

Hi-ho Lenny

I was checking whether or not “Lullaby” was on the set list again in Dallas (it was) when I ran across a reference to another  Leonard Cohen hat that had to be shared.

From Concert Report: Grand Prairie (Apr 3) by ProfNowlin on LeonardCohenForum

And for those of you who have not yet heard the new song, “Lullaby,” you are in for a real treat! The between-songs addresses to the audience were pretty much recycled from the earlier tour (as I’ve gathered from the recordings of the London and the Beacon shows), but they still felt authentic. Wearing a cowboy hat to perform the almost bluesy “I Tried to Leave You” did seem like a unique-to-Texas touch… [emphasis mine]

Ahem -  As I Was Suggesting, …

OK, I suggested a buckskin coat instead of the cowboy hat and a Texas flag instead of the guitar-emblazoned stage background pictured at the top of this post, but I’m pleased to see the spirit of my recommendations in New & Improved Leonard Cohen Concerts have been taken to heart.

→ 1 CommentTags: ··