Tag Archives: Jennifer Warnes

Leonard Cohen’s Do I Have To Dance All Night (1980 Version) Video Reference Key

Do I Have To Dance All Night (1980 Version) Video Sources

Leonard Cohen – Do I Have To Dance All Night (1980 – Amsterdam Concert)

Since uploading the video I put together for the 1980 version of “Do I Have To Dance All Night” to YouTube, I’ve received many questions about the origins of specific clips or the identities of individuals in the montage. Consequently, I’ve constructed a story board identifying the major scenes and characters.1

The key is self-explanatory. Links to many of the source videos and further information follow the key.

Scene By Scene Key

Click on images to enlarge.

dihtdan2-1x

dihtdan2-2

dihtdan2-3x

dihtdan2-4x

Links To Videos and References

Links are listed in the order of the scene’s occurrence in the video. I have included a single link to each of the videos. When more than one scene from a video is used, only the link to the first scene is shown. Scenes from the same source that show consecutively in the Do I Have To Dance All Night video have, in some cases, been cut and reassembled in a different sequence (e.g., the scenes from the Official Video of Dance Me to the End of Love) .

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  1. The analogous key to the 1976 version of “Do I Have To Dance All Night” can be found at Do I Have To Dance All Night (1976 Version) Video Reference Key []
  2. This video was used as a result of my error in translating the YouTube information (written in Spanish). I found this clip while searching for scenes from Atom Egoyan’s Exótica, which uses Cohen’s Everybody Knows in its soundtrack. After I had posted the video, I discovered that this was an “homage” to that movie rather than a segment from it. Ms Carillo is a model and former Ms Universe, who did not appear in Exótica. []

Blog Error On Jennifer Warnes Famous Blue Raincoat Corrected – By Jennifer Warnes

Jennifer Warnes

Jennifer Warnes

Can Who Hum A Few Bars Of That With Jennifer Warnes?

Just over a year old, I published Famous Blue Raincoat By Jennifer Warnes: Audiophile Addendum, a post which discussed the outstanding engineering and sound quality of the Famous Blue Raincoat album performed by Jennifer Warnes.

That post also included my  response to the following query, posed by the guy who has installed, revised, and cajoled sound and TV systems for me over the past decade, about one track on that recording :

When listening to Bird on a Wire with a very high resolution sound system you can hear what sounds like a deep guttural humming along with Warnes’ vocals. On anything less than that is does not turn up at all, or sounds like a partially blown woofer. Is that Leonard Cohen humming along?

A few straightforward web searches revealed substantial information about the technical aspects of the recording, a summary of which is available at the  Audiophile Addendum post. At that time, however, those web sites did not identify, as far as I was able to determine, the singer of the extraordinarily low tones on the  Warnes version of Bird On A Wire.

Since there was a tie-in with with Leonard Cohen, I sent a few emails to members of the  Cohen cognoscente. I only received one positive response; on the other hand that same source had been correct about obscure details on a handful of other queries.  So, …

I wrote that I had received

… information from that usually reliable source1 that the referenced hum in Jennifer Warnes’ Bird on a Wire is the sound of Leonard Cohen’s voice doubling behind and an or octave below Warnes.

For the click-abhorrent, that footnote, which was part of the original post, reads:

This source has been 100% correct about such matters in the past, but I have no way to double-check this tidbit so if anyone has information that confirms or conflicts with the answer I’ve reported, I’d appreciate an email.

A Year Passes

And Then, The Email Arrives

Hi Dr. Hguy;

While doing some research on Jennifer’s behalf, I came across your column from Aug 6 of last year in which your usually reliable source named Leonard Cohen as the source of low humming on Jennifer’s version of “Bird on a Wire”.

I sent the article to Jennifer; she asked me to send you the true details, straight from the diva’s keyboard:

“Will you write back for me and say that this low voice is Willie Greene Jr. He sings also on Ry Cooder’s records. His bass can reach lower than the lowest note on an acoustic piano. We proved it. Ask Billy Youdelman who was the recordist or my co producer, Roscoe Beck, for proof. Leonard’s voice dropped down after many years chanting during Zen practice.”

I hope this is helpful.

Matt Kramer

There you have it. The ultra-low voice belongs to Willie Greene Jr.  Searches for Willie Greene Jr. turn up batches of credits, including work with Lyle Lovett and the afore mentioned Ry Cooder, but, alas, no photos in which he is unambiguously identified. I did find this brief but compelling mention of Mr. Greene at the July 28, 2008 entry in Jack Bog’s Blog in a description of a Lyle Lovett performance:

But all of the side men were upstaged by the background singers who stood to the star’s immediate right. What to my wondering eyes did appear — two of them were from the earth-shaking front line of Was (Not Was), who knocked our socks off (as we knew they would) at the Wonder a while back. Sure enough, it was Sweet Pea Atkinson and Sir Harry Bowens! Next to them was bass singer Willie Greene Jr., whose voice knows no bottom and whose bottom, along with the rest of him, moved smooth as silk in synchronicity with Sweet Pea and Sir Harry. (Emphasis mine)

I extend my apologies to Mr. Greene and Mr. Cohen for the error and my thanks to Mr. Kramer and Ms Warnes for the correction.

Credit Due Department
The photo of Jennifer Warnes atop this post is from StarPulse. The animated clock was found on several web sites. I am unaware of its original source.

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  1. This source has been 100% correct about such matters in the past, but I have no way to double-check this tidbit so if anyone has information that confirms or conflicts with the answer I’ve reported, I’d appreciate an email. []

Famous Blue Raincoat By Jennifer Warnes: Audiophile Addendum

Update: 15 September 2008:

The content of this post has been corrected and revised. Please see Blog Error On Jennifer Warnes Famous Blue Raincoat Corrected – By Jennifer Warnes

Writing about Jennifer Warnes’ Famous Blue Raincoat this morning brought to mind the guy who installs (and, on occasion, revives) TV and sound equipment for me of the sort that requires something more than being plugged into an electrical outlet to function properly. He was also the first hard core fan of this album I ever met. Consequently, I emailed him about the impending release of the 20th Anniversary re-issue.

In his response, he wrote,

When listening to Bird on a Wire with a very high resolution sound system you can hear what sounds like a deep guttural humming along with Warnes’ vocals. On anything less than that is does not turn up at all, or sounds like a partially blown woofer. Is that Leonard Cohen humming along?

Knowing my correspondent was not one given to hallucinations or the mid-day ingestion of intoxicating doses of legal or illegal substances, I investigated, only to discover that Jennifer Warnes’ Famous Blue Raincoat, or as the vinyl-philes affectionately call it, Cypress 661 111-1, has a second career as a test LP for audio equipment. In tech circles, in fact, the Bird On A Wire hum is quite well known.

The review of the Origin Live “Advanced” power supply and DC-100 Motor at Vinyl Asylum, for example, describes it thusly,

On Jennifer Warnes “Famous Blue Raincoat” the song “Bird On a Wire” has a low background humming by a bass. [With the equipment being reviewed,] This humming is more distinct, with greater weight and greater extension. Musically, the humming is more integrated with the melody. The integration between octaves is tighter, vocal transitions between chest and throat are clearer and more natural sounding.

And The Answer Is …

Thus enlightened, I pursued the query and a few emails later, I was in possession of information from that usually reliable source1 that the referenced hum in Jennifer Warnes’ Bird on a Wire is the sound of Leonard Cohen’s voice doubling behind and an or octave below Warnes.

Feel free to impress your friends and win bar bets.

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  1. This source has been 100% correct about such matters in the past, but I have no way to double-check this tidbit so if anyone has information that confirms or conflicts with the answer I’ve reported, I’d appreciate an email. []

Jennifer Warnes’ Famous Blue Raincoat Reissued On 20th Anniversary

Jenny Sings Lenny After 20

Release date: August 7th, 2007

The 1987 release of of Famous Blue Raincoat: The Songs of Leonard Cohen, featuring some of Leonard Cohen’s most significant work performed, musically revised, and reinterpreted by Jennifer Warnes, was not only a critical and popular success but is widely credited with introducing Cohen’s music to a large, dégagé, if not completely Cohen-naive, audience who found Warnes’ presentation more winsome than his trademark growl.

Her voice is like the California weather – filled with sunlight, but there’s an earthquake behind it.
- Leonard Cohen

By 1987, Jennifer Warnes and Leonard Cohen already had a well established friendship and musical relationship dating back to 1970. She was a back-up singer during his 1972 and 1979  European tours and a guest vocalist on Live Songs, Various Positions, I’m Your Man, and The Future. She also recorded The Smokey Life as a duet with Cohen on his Recent Songs album.

Jennifer Warnes

Jennifer Warnes scored her first hit in 1977 with the single, Right Time of the Night, which occupied the #1 slot on Billboard’s Adult Contemporary chart, reached as high as #6 on the Hot 100, was used in the background music of When Harry Met Sally, and sold over 900,000 copies.

She has been especially successful performing music for movies. She won the 1980 Academy Award winner for Best Original Song, It Goes Like It Goes, from the motion picture, Norma Rae (1979) and her 1981 performance of Randy Newman’s “One More Hour” in the soundtrack album from Ragtime was nominated for an Academy Award.

In 1982, she sang a memorable version of Buffy Sainte-Marie’s Up Where We Belong with Joe Cocker for An Officer and a Gentleman. Released as a single, Up Where We Belong hit #1 for 3 consecutive weeks on Billboard’s Hot 100 chart, and sold over 2 million copies. In 1983 her duet with Cocker won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal.

In 1983, she teamed up with Bill Medley for (I’ve Had) The Time of My Life for the Dirty Dancing soundtrack album. That song reached #1 on both the Billboard Adult Contemporary chart and the Hot 100 as well as winning the Grammy Award for Best Pop Performance by a Duo or Group with Vocal.

She has recorded songs in many other films, performed James Taylor’s Millworker in the American Playhouse production of Working on PBS, sung background vocals with k.d. lang and Bonnie Raitt for Roy Orbison’s television special A Black and White Night, and paired with B. J. Thomas to perform the theme song for Growing Pains.

Famous Blue Raincoat Reissued And Remastered

As one would expect, the 20th Anniversary Edition of Famous Blue Raincoat is remastered from the original analog master tapes.

Especially noteworthy among the album’s tracks are the guitar work by Stevie Ray Vaughan and Robben Ford on the opening song, First We Take Manhattan, Warnes’ vocalizations on Bird On A Wire (arguably the highlight of the album), and, of course, the duet with Cohen on the studio version of Joan of Arc.

Track Listing from Famous Blue Raincoat: 20th Anniversary Edition

    1. First We Take Manhattan
    2. Bird On A Wire
    3. Famous Blue Raincoat
    4. Joan Of Arc (with guest vocal by Leonard Cohen)
    5. Ain’t No Cure For Love
    6. Coming Back To You
    7. Song Of Bernadette
    8. A Singer Must Die
    9. Came So Far For Beauty
     

    Previously Unreleased Recordings

    10. Night Comes On
    11. Ballad of the Runaway Horse
    12. If It Be Your Will (reprise)
    13. Joan of Arc (live in Belgium)

Jennifer Warnes’ Famous Blue Raincoat: 20th Anniversary Edition
is scheduled for release August 7, 2007