Tag Archives: LC Honors

Leonard Cohen Adds Songwriter Of The Year Title To Artist Of The Year At 2013 Juno Awards

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Adam Cohen Accepts Award On Father’s Behalf

Veteran singer Cohen was given the honours for songwriter of the year Sunday, with the award citing three songs from his latest album Old Ideas Amen, Going Home and Show Me the Place. Cohen also was absent, but his son Adam Cohen accepted it on his behalf.

“I know he has a deep fondness for the love that Canada has always expressed toward him,” Adam Cohen said. “He refers to Canada as the beating heart of his career.”

On Saturday night, when the bulk of the prizes were handed out, Cohen scored another major prize — artist of the year.

From CBC News

Leonard Cohen Wins 2013 Juno Artist Of The Year

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Leonard Cohen Video Of The Day: Closing Time – Winner, 1993 Juno Award For Best Video

The Making Of The Closing Time Video

The announcement of Leonard Cohen’s three 2013 Juno Award nominations makes the selection of the official Closing Time video, itself the winning entry in the Best Video category of the 1993 Junos, an obvious – and deserving – choice for today”s Leonard Cohen Video Of The Day. And any time is a good time for the story of the sexy, agent provocateur role  De Mornay (and Perla Batalla) played  in the making of the Closing Time video.

The roles played in the making of the official Closing Time video by backup singers, Perla Batalla and Julie Christensen, and by Cohen’s paramour at that time, Rebecca De Mornay, are so delicious as to demand describing. This excerpt is from “Growing Old Disgracefully” by Ian Pearson (Saturday Night, March, 1993):

At the video shoot of “Closing Time,” the joy was starting to flow around 10 p.m., eight hours after the star’s arrival. Cohen and his band were on stage, lip-synching the song while the camera pored over their faces. The band was getting giddy. Cohen planted himself as solidly as a tree in centre stage, clenching his fists, mouthing the lyrics, and staring resolutely into the mid-distance. The back-up singers — Perla Batalla and Julie Christensen — were vamping outrageously beside Cohen, dancing provocatively and shooting delicious come-hither looks at him every time he glanced their way.

“Oh we’re drinking and we’re dancing / and there’s nothing really happening / the place is dead as Heaven on a Saturday night,” Cohen sang, and Rebecca De Mornay trapped his stare as she danced seductively behind the camera. He continued: “And my very close companion / gets me fumbling gets me laughing / she’s a hundred but she’s wearing something tight.” De Mornay, who was in her early thirties and wearing a tight green sweater and a snug linen skirt, suggestively started toying with her fingers at the edge of her lips. As his very close companion continued to swoon and gyrate, Cohen broke up on stage. “You guys were really beautiful,” Cohen said in a lounge-singer homily at the end of the take. Unlike a lounge singer, he really meant it.

The director, Curtis Wehrfritz, was pleased, but he wanted a close-up of Cohen putting a bit more emotion into the song. De Mornay had a plan. She asked for a pair of wooden crates to be placed in front of the stage beside the camera. The camera started rolling and the tape began playing. Cohen started a deadpan delivery of the song, more in his prophet than in his playboy mode. De Mornay and Perla Batalla kicked off their shoes, climbed onto the crates, and started gyrating like go-go dancers. A metre or so away from his face, De Mornay fixed her blue eyes on Cohen and pumped her hips. “The women tear their blouses off / the men they dance on the polka dots…/ it’s closing time,” sang Cohen, and De Mornay took the words as cue for a mock striptease. She pulled out the front of her sweater from under her skirt and then tantalizingly gestured with her hands in front of her chest.

The singer responded with an intensely erotic gaze. He sang every word to De Mornay, and came up with a true performance under the most artificial of circumstances. The song ended, and De Mornay turned to Wehrfritz and laughed, “We really put a sparkle in his eye.”

Cohen climbed off the stage. Ever the gentlemen with Old World manners, he bent down to put on De Mornay’s shoes for her. The gloomy-poet-turned-bard-of-the-bedsits looked up at his friends and the crew and pronounced, “That was fun.”

Leonard Cohen – Closing Time (Official Video, 1992)

Leonard Cohen Nominated For 3 Juno Awards: Fan Choice, Artist Of The Year, & Songwriter Of The Year

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Leonard Cohen has been nominated in the following three Juno Award categories for 2013 (to be held April 21, 2013):

JUNO Fan Choice Award

  • Carly Rae Jepsen 604*Universal
  • Céline Dion Columbia*Sony
  • Drake Aspire/Cash Money*Universal
  • Hedley Universal
  • Justin Bieber Island Def Jam*Universal
  • Leonard Cohen Columbia*Sony
  • Marianas Trench 604*Universal
  • Metric Metric Music International*Universal
  • Michael Bublé Reprise*Warner
  • Nickelback Universal

Artist of the Year

  • Carly Rae Jepsen 604*Universal
  • Deadmau5 Ultra*Universal
  • Johnny Reid Johnny Mac*Universal
  • Justin Bieber Island Def Jam*Universal
  • Leonard Cohen Columbia*Sony

Songwriter of the Year

  • Afie Jurvanen Brushfire*Universal: “Be My Witness”, “Caught Me Thinkin”, “Lost in the Light” BARCHORDS – Bahamas
  • Arkells Universal: “Michigan Left”, “On Paper”, “Whistleblower” MICHIGAN LEFT – Arkells
  • Hannah Georgas Dine Alone: *Universal | Publisher: Hannah Georgas “Enemies”, “Robotic” – co-songwriter Ryan Guldemond, “Somebody” – HANNAH GEORGAS – Hannah Georgas
  • Kathleen Edwards MapleMusic*Universal | Publisher: Potty Mouth Production/Peer International Ltd (Canada): “A Soft Place to Land”– co-songwriter John Roderick, “Chameleon/Comedian”, “Change the Sheets” VOYAGEUR – Kathleen Edwards
  • Leonard Cohen Columbia*Sony | Publisher: Old Ideas LLC” “Amen”, “Going Home”– co-songwriter Patrick Leonard, “Show Me the Place” – co-songwriter Patrick Leonard OLD IDEAS – Leonard Cohen

Source: Juno Awards Web Site, which lists all 2013 Juno candidates in all categories.

Leonard Cohen’s Prince Of Asturias Awards Speech Video Nears 100,000 Viewings

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How I Got My Song: Eloquence In Oviedo

Since its Oct 25, 2011 posting, the Heck Of A Guy video of How I Got My Song, the speech given by Leonard Cohen on winning the 2011  Prince of Asturias Award for Literature has garnered more than 96,000 viewings.1

This accomplishment becomes especially impressive if one considers that awareness of the  Prince Of Asturias Literature Award is low (at least in North America), Mr Cohen himself remains a mystery to most of the US population, the speech was only televised locally, and, in any case, speeches occasioned by the awarding of literary prizes are hardly big draws.2

Leonard Cohen’s 2011 Prince of Asturias Awards Speech, “How I Got My Song,” is an intricately constructed, exquisitely executed, profoundly effective and affective performance. It is, no less than his most eloquent renditions of his most precisely crafted songs and poems, evocative, revealing, and strengthening. The immediate and worldwide audience found its tone, content, and presentation deeply resonant.

Leonard Cohen – Prince Of Asturias Awards Speech
Oviedo: Oct 21, 2011

For an in-depth perspective on this monumental speech, including a transcript of Mr Cohen’s words, see Dissecting The Sublime: Annotating Leonard Cohen’s Prince Of Asturias Awards Speech

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  1. It should be noted that this is the most popular but not the only online video of Leonard Cohen’s Prince Of Asturias Awards Speech.  An earlier, lower quality iteration of the speech that is also on my channel has 8500 views. Several other versions, some in English and some in Spanish, can be found on YouTube and other video sites as well as The Prince of Asturias Foundation site. []
  2. To put this in context, consider that the most popular YouTube version of President Barack Obama’s 2009 Nobel Peace Prize acceptance speech has about 157,000 viewings. []

Top Leonard Cohen Stories Of 2012: Glenn Gould Prize

The Glenn Gould Prize

On May 14, 2012, Leonard Cohen was awarded the Glenn Gould Prize at a gala held in his honor1 at Massey Hall in Toronto.

As the official press release explained,

The Glenn Gould Prize, valued at $50,000 (CDN), has been referred to as “The Nobel Prize of the Arts” and is awarded biennially to a living individual for a unique lifetime contribution that has enriched the human condition through the arts.

Cohen not only accepted the Glenn Gould Prize but also presented the associated City of Toronto Glenn Gould Protégé Prize of $15,000 (CDN) to Sistema Toronto, a program that offers free, intensive music education to children from culturally diverse neighbourhoods.

The Quintessential Photo Of 2012 Glenn Gould Prize Laureate Leonard Cohen

This photo of Leonard Cohen with head bowed and hat in hand is, I contend, the iconic shot of the May 14, 2012 Glen Gould Prize ceremony, the one that most completely captures the spirit of that event and the significance imbued into it by Leonard Cohen’s embodiment of the notion, The Artist As Steward.2 For a discussion of this notion, go to Why This Is The Quintessential Photo Of 2012 Glenn Gould Prize Laureate Leonard Cohen.

Slideshow: 2012 Glenn Gould Prize


The $50,000 Donation

Leonard Cohen did 0accepted the Glenn Gould Prize, but donated the $50,000 that accompanied it to the Canada Council for the Arts.

The Speech

The speech was recorded live & uploaded by Arlene Dick of Arlene’s Leonard Cohen Scrapbook, For a description and discussion of the speech, see Leonard Cohen Wins Hearts As Well As Glenn Gould Prize With Gracious Donation & Speech

Key Posts:
Leonard Cohen Wins 2012 Glenn Gould Prize

Videos: Performances At Glenn Gould Prize Gala

All videos by Arlene Dick of Arlene’s Leonard Cohen Scrapbook

Credit Due Department: The photo atop this post is by Carlos Osorio/Toronto Star.

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  1. The tribute was hosted by Colm Feore and featured Anjani Thomas, Basia Bulat, Adam Cohen, Cowboy Junkies, Jimmie Dale Gilmore, James McMurtry, Gordon Pinsent with Travis Good & Greg Keelor (Blue Rodeo), John Prine, and Serena Ryder. Guest speakers and readers included The Right Honourable Adrienne Clarkson, Melissa Auf der Maur, Michael Ondaatje and Alan Rickman. The Musical Director was Neil Larsen. []
  2. The photo is by Nancy Paiva and was published in For Leonard Cohen, What Goes Around Comes Around by Todd Aalgaard (Torontoist May, 15, 2012) []